Resumen
This research analyzes the phenomenon of tourist travel to some destinations in relation to the animated film Coco, based on the Day of the Dead tradition celebrated in Mexico, and the motivations of tourists to travel; Thus, from a qualitative approach, it is shown how visitors of “Mama Coco” in Michoacan incur in behavioral patterns explained by the concept of media pilgrimage, but unlike similar trips, commonly linked to sites, in this case the center is found in a person whom they associate with feelings of nostalgia and family ties.
Citas
Aden, Roger C. (1999). Popular stories and promised lands: fan cultures and symbolic pilgrimages. University of Alabama Press.
Allaire, Joseph J. (2020), RStudio (version 1.3.1056). https://www.npackd. org/p/rstudio/1.3.1056
Alvarado-Sizzo, Ilia; Batista, Everaldo and Escudero Luis (Coords.) (2023). Cine, turismo y territorio. Aportes iberoamericanos, Universidad Nacional Autónoma de México/Instituto de Geografía.
Arce, Jean Luis (2022, November 2nd). Mexicanos y extranjeros visitan la casa de la verdadera ‘mamá Coco’. Newsweek en español. Cultura. https://tinyurl.com/58dvpj2s
Arias, Patricia (2013). Migración, economía campesina y ciclo de desarrollo doméstico. Estudios Demográficos y Urbanos, 28(1), 93-12. https://doi.org/mbfd
Arrieta, Carlos (2018, December 31st). The woman behind Mama-Coco. El Universal. English. https://bit.ly/3ZP2HYv
Associated Press (2017, November 11th). ‘Coco’ ya es la cinta original con el mejor estreno en México. El Financiero. After-Office. https://bit.ly/3kslZTh
Bartra, Roger (2018). Los salvajes en el cine, Instituto Nacional de Antropología e Historia/Fondo de Cultura Económica.
Baudrillard, Jean (1978). Cultura y simulacro. Kairós.
Beeton, Sue (2016). Film-induced tourism. Channel View Publications. Bernard, Russel (1998). Research methods in Cultural Anthropology. Sage.
Bryman, Alan (2004). The disneyzation of society. Sage. Butler, Richard (1990). The influence of the media in shaping international tourist patterns. Tourism Recreation Research, 15(2), 46-53. https://doi.org/gdxwf6
Camprubí, Raquel and Coromina, Lluís (2016). Content analysis in tourism research. Tourism Management Perspectives, 18, 134-140. https://doi.org/mbfc
Carl, Daniela; Kindon, Sara and Smith, Karen (2007). Tourists’ Experiences of Film Locations: New Zealand as ‘Middle-Earth’. Tourism Geographies, 9(1), 49-63. https://doi.org/10.1080/14616680601092881
Castro-Mariño, Deborah (2018). La audiencia social y el mundo narrativo de la ficción: análisis de los comentarios de los fans y community managers sobre la ficción televisiva y webseries españolas. Palabra Clave, 21(1), 86-110. https://doi.org/10.5294/pacla.2018.21.1.5
Costa, Everaldo and Alvarado-Sizzo, Ilia (2021). Territorio usado, turismo e cinema: Proposta metodológica. Finisterra, 56(118), 175-198. https://doi.org/10.18055/Finis22285
Couldry, Nick (2003). Media rituals: A critical approach. Routledge.
Couldry, Nick (2000). The place of media power. Routledge.
Debord, Guy (1995). La sociedad del espectáculo. Naufragio.
De Albuquerque Meneguel, Cinthia; Almeida, Alef and Guimarães, Beatriz (2017). Cineturismo. La percepción de la ciudad de Río de Janeiro en base al film Río por parte de los potenciales turistas. Estudios y Perspectivas en Turismo, 26(1), 22-41. ttps://bit.ly/3ZQ1e3V
Di Cesare, Francesco; D’Angelo, Luca and Rech, Gloria (2009). Films and tourism: understanding the nature and intensity of their cause-effect relationship. Tourism Review International, 13(2), 103-111. https://doi.org/10.3727/154427209789604606
Disney News Contributor (2018, February 27th). We took a trip to Mexico with the Filmmakers Behind Disney Pixar’s Coco. Disney. https://bit.ly/3WkBJF1
Durkheim, Emile (1964). The elementary forms of religious life. George Allen & Unwin Ltd.
Eade, John and Sallnow, Michael J., (eds) (2013). Contesting the Sacred. Wipf and Stock.
Espinosa, María (2013). “Malinches y Guadalupanas”: Representaciones sobre la figura maternal entre los niños y niñas de la calle en la Ciudad de México. Trabajo social Global, 3(4), 75-94. https://doi.org/mbfb
ESRI (Environmental Systems Research Institute) (2020). ArcGIS Desktop (Version 10.8). http://tinyurl.com/3jwfbmtd
Fernandez Young, Anita and Young, Robert (2008). Measuring the effects of film and television on tourism to screen locations: A theoretical and empirical perspective. Journal of Travel and Tourism Marketing, 24(2-3), 195-212. https://doi.org/10.1080/10548400802092742
Gámir, Agustín and Valdés, Carlos (2007). Cine y Geografía: espacio geográfico, paisaje y territorio en las producciones cinematográficas. Boletín de la Asociación de Geógrafos Españoles, 45, 157-190.
García, Ángel (2018, October 13th). México tendrá una ruta turística inspirada en Coco, la película de Disney. Forbes México. Forbes Life. https://acortar.link/kSWl13
García, Jacobo (2022, October 16th). Muere Mamá Coco a los 109 años. El País. México. https://bit.ly/3RlkWRa
Giardina, Carolyn (2017, December 12th). ‘Coco’: How Pixar Brought its ‘Day of the Dead’ story to life. The Hollywood Reporter. Movie Features. https://bit.ly/3ZXBi6K
Graburn, Nelson (1977). Tourism: The sacred journey. In Valene L. Smith (Ed.). Hosts and Guests (pp. 21-36), University of Pennsylvania Press.
Guix, Joan (2008). El análisis de contenidos ¿qué nos están diciendo? Revista de Calidad Asistencial, 23(1), 26-30. https://doi.org/btwd9t
Hellier-Tinoco, Ruth (2010). Embodying Mexico: tourism, nationalism and performance. Oxford University Press. https://doi.org/ddvqf6
Hollinshead, Keith (2006). The shift to constructivism in social inquiry: some pointers for tourism studies, Tourism Recreation Research, 31(2), 43-58. https://doi.org/10.1080/02508281.2006.11081261
Ibarra, Iván (2022, January 20th). Michoacán colaborará con Disney para traer a Coco a la vida real. El Sol de Morelia. Local. https://bit.ly/3WkBXfl
Inegi (Instituto Nacional de Geografía y Estadística) (2021). Directorio Estadístico Nacional de Unidades Económicas. Inegi. https://bit.ly/3CYmU44
Inegi (Instituto Nacional de Geografía y Estadística) (2020). Censo de Población y Vivienda 2020. Inegi. https://bit.ly/2CkGYO2
Infobae (2020, January 8th). La nueva ruta turística en México que surgió gracias a Disney. Infobae. México. https://bit.ly/3weyFzJ
Jorgensen, Danny (1999). Participant observation, Sage.
Karpovich, Angelina (2010). Theoretical approaches to film-motivated tourism. Tourism and Hospitality Planning and Development, 7(1), 7-20. https://doi.org/cpp7bs
Kim, Hyounggon and Richardson, Sarah (2003). Motion picture impacts on destination images. Annals of Tourism Research, 30(1), 216-237. https://doi.org/dh35q4
Kim, Sangkyun (2012). The impact of TV drama attributes on touristic experiences at film tourism destinations. Tourism Analysis, 17(5), 573-585. https://doi.org/c3v5
Kim, Sangkyun (2010). Extraordinary experience: Re-enacting and photographing at screen tourism locations. Tourism and Hospitality Planning and Development, 7(1), 59-75. https://doi.org/b83gw9
Krippendorff, Klaus (2004). Content analysis: an introduction to its methodology (2nd ed.). Sage Publications.
López Varela, Sandra (2020). Approaching Pixar’s Coco during the Trump Era. iMex, 9(18), 130-144. https://doi.org/10.23692/iMex.18
Lundberg, Christine and Ziakas, Vassilios (2018). The routledge handbook of popular culture and tourism, Routledge.
Månsson, Maria; Buchmann, Annæ; Cassinger, Cecilia and Eskilsson, Lena (2020). The Routledge companion to media and tourism, Routledge.
Margry, Peter Jan (2008). Shrines and pilgrimages in the modern world, Amsterdam University Press.
MiMorelia.com (2021, October 28th). Mamá Coco sí recibirá turistas en su casa de Michoacán; ¿dónde vive? Mi Morelia.com. http://tinyurl.com/4tds5fk7
Molina, Adrian y Unkrich Lee (2017). Coco [película]. Walt Disney Pictures Pixar Animation Studios.
Morán, Carmen (2021, March 23rd). Una Mamá Coco de 107 años para deleite de los turistas. El País. México. https://cutt.ly/Nwui5dwB
Morinis, Alan (1992). Sacred journeys: The anthropology of pilgrimage. Greenwood Press.
Nicosia, Enrico (2016). L’influenza del cinema d’animazione nella promozione (cine)turistica delle destinazioni. Gli effetti del fenomeno Frozen sul turismo norvegese. Il capitale culturale, 4, 191-221. https://doi.org/mbd8
Nieto, Jorge; Del Rey, Antonia and Afinoguénova, Eugenia (2015). Narración, espacio y emplazamiento turístico en el cine español de ficción (1951-1977). Revista Latina de Comunicación Social, 70, 584-610. https://doi.org/10.4185/RLCS-2015-1061
Ono, Akinori; Kawamura, Sumiaki; Nishimori, Yasuto; Oguro, Yuki; Shimizu, Riosuki and Yamamoto, Sari (2020). Anime pilgrimage in Japan: Focusing Social Influences as determinants. Tourism Management, 76. https://doi.org/10.1016/j.tourman.2019.06.010
Oviedo, M. Ángeles; Castellanos, Mario; Trujillo, M. Antonia and Mallya, Thaddeus (2016). Film-induced tourist motivations. The case of Seville (Spain). Current issues in tourism, 19(7), 713-733. https://doi.org/c3wd
Reijnders, Stijn (2010). On the trail of 007: media pilgrimages into the world of James Bond. Area, 42(3), 369-377. https://bit.ly/3ZNg5Mr
Riley, Roger; Baker, Dwayne, and Van Doren, Carlton (1998). Movie-induced tourism. Annals of Tourism Research, 25(4), 919-935. https://doi.org/cd8d46
Robinson, Joanna (2016, December 6th). Pixar’s Coco Is a “Love Letter to Mexico” in the Age of Trump. Vanity Fair. Hollywood Daily. https://bit.ly/3J182pw
Salud “Mama-Coco” (n/d). Inicio [Facebook Page]. Facebook. https://bit.ly/3kpMTLp
Sectur-Michoacán (Secretaría de Turismo) (2019). Resultados 2019. Secretaría de Turismo Michoacán. https://bit.ly/3Xkve6l
Stepchenkova, Svetlana (2012). Content Analysis. In Larry Dwyer, Alison Gill and Neelu Seetaram (Eds.), Handbook of research methods in tourism: quantitative and qualitative approaches (pp. 443-458). Edward Elgar Publishing.
Tartaglione, Nancy (2018, May 1st). ‘Coco’ sweet with $800M milestone at worldwide box office. Deadline. Breaking News. https://bit.ly/3XrU44n
Telemundo (2018, November 2th). ¡Te presentamos a la mujer que inspiró a “mamá Coco”! | Un Nuevo Día | Telemundo [Video]. YouTube. https://acortar.link/f9UzDG
Thelen, Timo and Kim, Sangkyun (2021). Understanding fan tourists at a noncommodified fan pilgrimage site: an application of fan capital theory. Current Issues in Tourism, 26(1), 1-6. https://doi.org/mbd6
Thomas, Bastien (2021, September 6th). La série ‘Lupin’ sur Netflix: un bon coup de pouce pour le tourisme à Etretat. Ici par France Bleu e France 3. Culture-Loisirs. https://bit.ly/3GNT9nT
Turner, Victor and Turner, Edith (1978). Image and pilgrimage in christian culture. Columbia University Press.
Tzanelli, Rodanthi (2017). Staging pilgrimage on Skopelos after Mamma Mia! (2008). In Maximiliano Korstanje and Bintang Handayani (Eds.), Gazing at death: dark tourism as an emergent horizon of research (pp. 131-171). Nova Science Publishers.
Tzanelli, Rodanthi (2007). The cinematic tourist. Routledge. Tzanelli, Rodanthi (2004). Constructing the “cinematic tourist”: The “sign industry” of The Lord of the Rings. Tourist Studies, 4(1), 21-42. http://dx.doi.org/10.1177/1468797604053077
Ugwu, Reggie (2017, November 9th). How Pixar made sure ‘Coco’ was culturally conscious. The New York Times. Movies. https://nyti.ms/3iMPgYb
Unkrich, Lee [@leeunkrich] (2018, November 4th). This is not a true story. The character of Mama-Coco was not based upon any real person we met in our travels. [Tweet]. Twitter. https://acortar.link/4jWsct
Villagómez, Arturo (2018, November 4th). ‘Mamá Coco’, una historia real que vive en Michoacán; director de filme lo niega. La Voz de Michoacán. Cultura. https://cutt.ly/hwuowslj
Warren, Benedict (1977). Vasco de Quiroga y sus hospitales-pueblo de Santa Fe. Universidad Michoacana de San Nicolás de Hidalgo.
Yamamura, Takayoshi (2015). Contents tourism and local community response: Lucky star and collaborative anime-induced tourism in Washimiya. Japan Forum, 27(1), 59-81. https://doi.org/ggpbwx

Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-SinDerivar 4.0 Internacional.